Mossane and Djanta: Intersections of Feminism with Ethnic Identity



The next seminar in our African Feminisms series is entitled “Mossane (Safi Faye, 1997) and Djanta (Tahirou Tasséré Ouédraogo, 2006): Intersections of Feminism with Ethnic Identity” and will be presented by Monika Kukolova on 09 March 2017 at 5pm in LHRI Seminar Room 1. Entrance is free and all are welcome.



In this paper, I would like to acknowledge why it is important to discuss intersections of ethnic identity and feminism in the films, Mossane (Safi Faye, 1997) and Djanta (Tahirou Tasséré Ouédraogo, 2006). Some films set within the ethnic groups of West Africa may show somewhat oppressive environments that rely on patriarchal values and female protagonists are often limited in their life choices by the community’s perception of marriage as a woman’s ultimate purpose. Even when they get married, the role of authority in women’s lives passes from their father to their husband. Although there is definitely a case to be made about the oppression of women among some ethnic groups, it would be unfair to summarise all ethnic identities as inherently patriarchal. More contextual analysis is needed to clarify the motivations behind what appears to be a system skewed towards the benefit of men rather than women. Furthermore, the generalisation of these ethnic groups as entirely patriarchal risks putting the women of the group into a position of resigned subservience. The female characters are, mostly, far from subservient but they also have respect for ethnic culture, their elders and the well-being of their community. This leads to inevitable clashes within the community but also within women themselves. I will offer a close analysis of the two films, in order to find out how these two films consolidate ethnic cultures with African feminisms and whether they succeed in doing so.

About Monika Kukolova


Monika Kukolova is a third year PhD student at the University of Manchester. Her thesis focuses on representations of ethnic identity in contemporary West African cinema with special attention paid to the roles of kinship, religion and patriarchal attitudes in these representations. Other research interests include representations of race and ethnicity in mainstream cinema and cinematic adaptations of novels about race and ethnicity.