CFP: 2nd Narrative Enquiry for Social Transformation International Conference 2018

NEST logo2nd Narrative Enquiry for Social Transformation (NEST) International Conference

22-24 March 2018

University of the Witwatersrand

 

 

CALL FOR PANELS AND PAPERS

Conference Theme

Narrative Enquiry for Social Transformation (NEST) is a research network launched in July 2015 with the aim to foster the theory and practice of narrative as a field of study through interdisciplinary research and empirical investigations into questions of human experience, development and social change. Its members are drawn from the Humanities and Social Sciences as well as creative and community-based constituencies. The current configuration of the NEST network allows for an articulation between the Arts, Social Sciences and Socio-psychological work.

NEST is informed by the principle that narrative is one of the defining features of what it means to be human. Personal and collective senses of self, experience, desires, fears and hopes are developed in and through narrative meaning-making, providing recognition and validation, and deepening our sense of human dignity across lines of difference and existence. The transformative possibilities of narrative lie in the ways in which it enables people to: give coherence to their lives and the world around them; develop forms of critical consciousness and thinking; imagine possible alternative social realities and futures; and, ultimately, not only to read them-selves and their place in the world but also to be read by others. It is people who make culture and culture that in turns remakes us, and this process is always political and potentially transformative.

Research Threads

NEST seeks to undertake research that traces ideologies, experiences and identities across time as constructed through inter / cross generational experience and storytelling; the reconstruction of (cultural memory); and transmission of unofficial histories and alternative narratives by ordinary people, particularly in families, communities, educational and creative contexts. Its research agenda incorporates a wide range of theoretical and critical conceptual and creative work that can be undertaken from multiple disciplinary perspectives and methodologies. The following constitute the core thematic threads of NEST:

  • The narrative formation of consciousness and subjectivities
  • Marginality, the body, affect and narrative
  • Narrative form and symbolic representations in multiple modalities: textual, visual, archival, aural and performative.
  • Intergenerational narratives.
  • Developing knowledge and praxis through empirical projects

We invite papers and panels that use NEST research threads as a catalyst but other explorations of any aspects related to narrative are also welcome.

Please send abstracts of up to 300 words for individual papers and / or panels by 15 October 2017 to the conveners at Jill.Bradbury@wits.ac.za and Bhekizizwe.Peterson@wits.ac.za

Once abstracts have been accepted, participants will be notified. The conference will take the form of pre-circulated papers for discussion.  Full Papers will be due a month in advance of the conference to allow sufficient time for discussants to read.

Conveners: Jill Bradbury and Bhekizizwe Peterson

Committee Members: Hugo Canham, Lindelwa Dalamba, Cynthia Kros, Ronelle Carolissen, Grace Musila, and Khwezi Mkhize.

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A Death Retold In Truth And Rumour: Kenya, Britain and the Julie Ward Murder (2015)

by Grace A. Musila 

(James Currey 2015)

Cover smallJulie Ann Ward was a British tourist and wildlife photographer who went missing in Kenya’s Maasai Mara Game Reserve in 1988 and was eventually found to have been murdered. Her death and the protracted search for her killers, still at large, were hotly contested in the media. Many theories emerged as to how and why she died, generating three trials, several ‘true crime’ books, and much speculation and rumour.

At the core of Grace A. Musila’s study are the following questions: why would this young woman’s death be the subject of such strong contestations of ideas and multiple truths? And what does this reveal about cultural productions of truth and knowledge in Kenya and Britain, particularly in the light of the responses to her disappearance of the Kenyan police, the British Foreign Office, and the British High Commission in Nairobi.

Building on existing scholarship on African history, narrative, gender and postcolonial studies, the author reveals how the Julie Ward murder and its attendant discourses o er insights into the journeys of ideas, and how these traverse the porous boundaries of the relationship between Kenya and Britain, and by extension, Africa and the Global North.

 

Screen Shot 2016-08-21 at 1.55.48 AMAnnie Gagiano in Safundi